張恩滿出生於台東，生活與工作於台北。她在影像、雕塑和計畫性創作之間工作。她擁有一半來自原住民母親血統，長期關注台灣原住民族如何在不可逆的現代化進程中去協調和處理其自身於文化、社會及基本生存之間的狀態。以此基礎去挖掘缺失的歷史以及外推廓繪世界的樣貌，寄望發掘藝術可以去轉化的力量。她曾在台北（2012）、溫哥華（2016）、洛杉磯（2017）舉辦個展，並於泰國（2014）、米蘭（2015）、奧克蘭（2016）、波蘭（2017）、香港（ 2020）等地參展；並在大型項目展出如台北雙年展（2014）、台灣雙年展（2018）、伊斯坦堡雙年展（2019）、龐畢度中心COSMOPOLIS #2（2019）、新加坡雙年展（2019）、加德滿都三年展（2022）、第十五屆文件展（2022）。
Born in Taitung, Taiwanese artist CHANG En-Man currently works and lives in Taipei. Utilising the forms of the moving image, photography, installation, and creative forms of self-organising and collective projects, Chang’s practice explores how the indigenous people of Taiwan negotiates the ever-shifting socio-cultural terrains and conditions for survival in contemporary Taiwan against the backdrop of modernisation and urbanisation, rooted in her own experiences and heritage as a half-indigenous person. With this as a point of departure, Chang excavates lost histories and narratives to explore the world at large, aiming to embody the transformative potential that art holds. Chang has had solos in Taipei (2012), Vancouver (2016), Los Angeles (2017); participated in group shows in Thailand (2014), Milano (2015), Auckland (2016), Poland (2017), Hong Kong (2020); and exhibited in major projects such as the Taipei Biennial (2014), Taiwan Biennial (2018), Istanbul Biennial (2019), Cosmopolis #2 - Centre Pompidou (2019), Singapore Biennale (2019), Kathmandu Triennale (2022), and the documenta-fifteen (2022).
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