pixel

「它曾在那兒，旋即分離；曾經在場，卻已延遲異化」--羅蘭．巴特

掃描家族的歷史性照片，儲存成為非物質性可延展的數學性影像，借用電腦顯示的基本單位：pixel（像素；或稱畫素），將影像構成的像素放大至一個個清晰可見的中性均勻色塊；” 像素”在這裡既是創作的對象與手段，也是我們藉由螢幕接收資訊來源的最小原生，並與作者本身的情感記憶結合；兩者相加卻產生一種冷漠疏離的語意。

如果攝影仍有本質的話，那麼引起我們追憶衝動的是什麼？作者的位置在這裡可見與可不見，而借數位化去轉介觀看家庭照片引發的注視與流轉，又能引發多少情感?

"pixel", 2008, video, 2" 52'

Scan historic family photos, storage material can be extended to become non-mathematical nature of image, to borrow the basic unit of computer display: pixel (pixels; or pixels), to enlarge the image composed of pixels visible to the neutral one Uniform color; "pixel"in here means both the creation of the object, which we receive information through the screen, the smallest primary sources, and with the combination of their own emotional memory; the two together to produce a cold and alienated but semantics.

If there is still the essence of photography, then cause us to recall what is the impulse? The location of visible and can be seen here, and by referring to the digital viewing family photos and circulation triggered by watching, how much can lead to feelings?