2025，鋁結構（由雅思敏．諾瓦克製作）400x100x50cm，構樹皮，文獻轉印，刺繡
Aluminium structure ( by Jasmine Novak in Santa Fe) 157.4 × 39.4 × 19.7in, Paper mulberry bark, document transfer, embroidery. Artwork commissioned by NTMFA
源自東非並列為世界百大入侵種的非洲大蝸牛，成為藝術家探索世界的介面；台灣原生種構樹與蝸牛黏液有消解關係，它們分別描繪了物種傳播與人類遷徙的航線，而我在這交錯的網絡裡與吟遊詩人一同漫遊，尋找遺緒者一同協奏序曲，亦或續曲。
The African giant snail, originating from East Africa and ranked among the world’s top 100 invasive species, serves as a medium for the artist to explore the world. Taiwan’s native species paper mulberry and snail mucus have a dissolving relationship, they each depict the routes of species dispersion and human migration. In this intertwined network, I wander with bards, searching for the colonial trauma bearers to play the overture, or perhaps the sequel, together.
與 蝸牛樂園三部曲－啟航或終章 一同展演於破土：臺灣當代原住民藝術與行動主義， IAIA 當代原住民藝術博物館
Exhibition with "Snail Paradise Trilogy: Setting Sail or Final Chapter" in "Breaking Ground: Art and Activism in Indigenous Taiwan" at IAIA MoCNA
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