Video, 21’ 45”, 2016
＊本影像作品非經作者授權，不得任意轉載與公開播映。 Works without the author's authorization, shall not arbitrarily reprint and open broadcasting.
＊本影像作品非經作者授權，不得任意轉載與公開播映。 Works without the author's authorization, shall not arbitrarily reprint and open broadcasting.
能盛興工廠位於台南，是一棟荒廢二十年的三層樓長屋，被一群年輕人整理翻修，成為他們實踐某些理想的基地，並對外開放做多元活動的場所。而空間與人密不可分，或因人而成就的空間是一個接一個的過渡，持續進行的有機狀態航向某個夢土，或心所嚮往的：烏托邦。
藝術家在能盛興工廠短期進駐的一個月裡製作影片，採訪女性成員們描述她們最喜愛的地方，穿插男性口白以一位虛構人物作串場。藉由身體實踐力十足的能盛興工廠成員，以及所連結的社群，淺談台灣近代藝術的發展脈絡，並對所謂的藝術圈做反身性思考。
Neng-Sheng-Xing Factory is located in Tainan, Taiwan. It’s used to be an abundant 3 levels building over than 20 years, now it’s not only a base of dream, but also a place with multi-activities to public after a group of young people refurbished it. The relationship between space and human is strongly related, a space formed by people are the continuously transitions. These transitions are leading with the organic status to a land of dreams or we can interpret it in a more specific definition: Utopia.
The female members described their favorite places when the artists filmed the interviews during the one-month term residency at Neng-Sheng-Xing Factory, they also mixed a male narration as imaginary character in the film. This video is trying to present the development and history of Taiwan Modern Art and offering a reflexivity thought to art circles by the team members of Neng-Sheng-Xing Factory’s practice force. (Translator: Daphne San)
Neng-Sheng-Xing Factory is located in Tainan, Taiwan. It’s used to be an abundant 3 levels building over than 20 years, now it’s not only a base of dream, but also a place with multi-activities to public after a group of young people refurbished it. The relationship between space and human is strongly related, a space formed by people are the continuously transitions. These transitions are leading with the organic status to a land of dreams or we can interpret it in a more specific definition: Utopia.
The female members described their favorite places when the artists filmed the interviews during the one-month term residency at Neng-Sheng-Xing Factory, they also mixed a male narration as imaginary character in the film. This video is trying to present the development and history of Taiwan Modern Art and offering a reflexivity thought to art circles by the team members of Neng-Sheng-Xing Factory’s practice force. (Translator: Daphne San)
