2022，綜合計畫，有機玻璃彩繪船屋（高240x寬300x長750公分）與候船室（高240x寬180x 長550公分），文獻帆布刺繡245x345mm x2、205x275mm x8、195x285mm x2、166x245mm x6（共16幅），影片14分35秒（2021）。參展於2022年第15屆文件展「lumbung」：卡塞爾市，黑森邦，德國。
2022, comprehensive programs; perspex painting on the houseboat ( H240 x W300 x L750cm) and the waiting room ( H240 x W180 x L550cm）; embroidery on canvas literature: 245x345mm x2, 205x275mm x8, 195x285mm x2, 166x245mm x6. At 2022 “lumbung” documenta-fifteen, Kassel, Hesse, Germany.
從排灣族的傳統料理出發，1933年來到臺灣的入侵物種非洲大蝸牛是主要食材，調理出一系列的綜合展演。河道上航行的船屋、碼頭上乘載訊息的候船室，將「蝸牛的漂浮系統」為主軸作推進，串連小組的衛星計畫，以及跨國合作出版等相關討論；回應第十五屆文件展策展主「lumbung」（印尼語「穀倉」）展開社群連結、全球南方以及資源共享的生態系統。
Starting from the traditional cuisine of the Taiwan indigenous Paiwan group, the main ingredient of the invasive species African giant snail, which came to Taiwan in 1933, the group organized a series of comprehensive exhibitions. The “Floating System of Snails” is the main view of the exhibition, which is promoted by the houseboat of the sailing on the river and the waiting room at the pier, linking up the team's satellite projects and transnational cooperation; the ecosystem of community connection, the global South, and the sharing of resources is unfolded in the context of the curatorial theme of the 15th Documenta, "lumbung" ("barn" in Indonesian).
